在《自由之地》系列中，
我為筆下的角色，也為自己——開拓出一處極度自由之地。
女神般的角色與動植物共處，畫面時而野性，時而安詳；彷彿置身天堂，又像回到人間。

此系列所描繪的，並非二元的高低維度，而是一體的存在經驗：混亂與秩序、獸性與靈性、衝突與和平、豐饒與死亡，在這些畫面中交織共存。她們在感官的叢林中逃逸，在混沌中重生。

In the Land of The Free series, Phoebe opens a vast, unfettered territory—for the women she paints, and for herself. Her goddess-like figures live alongside animals and plants; the scenes move between the feral and the serene, as if drifting between heaven and earth.

What the series portrays is not a hierarchy of dimensions, but a unified field of experience: chaos and order, instinct and spirit, conflict and peace, abundance and death—all woven together within these images.
Within this sensorial wilderness, they escape, transform, and are reborn through the very heart of the unknown.